You have to believe that ABC wasn’t expecting miracles when it gave a midseason episode order to “Grey’s Anatomy” in 2005, given the TV track record of its creator. It isn’t that Shonda Rhimes had a bad one; she merely lacked one. Rhimes had written the 1999 HBO original “Introducing Dorothy Dandridge.” And that was it. Yet here Rhimes is with “Grey’s ,” having achieved 100 episodes . She spoke about getting her baby to this point with The Hollywood Reporter’s Ray Richmond.
The Hollywood Reporter: So why do you think “Grey’s Anatomy” was able to make it to 100 episodes?
Shonda Rhimes: The truth is that it’s the fans loving the show who are responsible for keeping you on the air. If they weren’t watching, then we obviously wouldn’t still be here.
THR: Was 100 episodes a goal for you to reach from the start?
Rhimes: Not necessarily. We were just hoping to go as long as we could tell good stories and not get stale, or static. But I feel like we helped to ensure that by having a large cast. In hindsight, that was a pretty smart thing to do. Besides putting Meredith Grey (Ellen Pompeo) through quite a ringer, we’ve been able to effectively explore pretty much all of the characters on this show.
THR: What’s been the most difficult part about getting “Grey’s” to this point?
Rhimes: At the end of the day, it really is about making sure the characters keep moving forward. In a sitcom, you can have your people stay relatively the same and tread similar situations. That isn’t how it is in drama.
Lot’s of articles about the 100th episode today! Here is an article taken from Hollywood Reporter where Shonda Rhimes talks about getting the show up and running to the well established show it is today.
Those unfamiliar with ABC’s “Grey’s Anatomy” might be under the impression that it’s a squishy hospital soap opera where wacky incidents are interspersed with necking in the locker room.
They might not be entirely wrong. But that’s not the whole story, according to creator/executive producer Shonda Rhimes. The show, which reaches its 100th episode today, was designed with a sharp scalpel edge to it.
“I loved the idea of a world in which competition wasn’t just accepted, but fully expected of people,” she says of the inception for “Grey’s.” “For me, it was about finding a world in which being cutthroat was rewarded.”
In just four years, “Grey’s,” like Rhimes, has become a dominating force in TV. With ratings averaging in the 8s during the past five seasons among adults 18-49, the drama — which focuses on a close-knit set of interns and doctors at Seattle Grace Hospital — has become a zeitgeist phenomenon at a time when dwindling audiences and fragmented viewership have all but declared that impossible.
“Our show was really on the cusp of a lot of new global things, like how it’s marketed, how it’s distributed and how it reaches a global audience immediately,” co-star Sandra Oh says.
Not that getting it off the ground was so easy.
Executive producers Betsy Beers and Mark Gordon had met Rhimes as an up-and-coming writer and helped her develop a pilot for a series about war correspondents. But in the early 2000s, that idea was an especially tough sell, so they started over.
“I was a serious medical junkie,” Rhimes says. “I love to watch the surgeries on the Learning Channel.”
Go to Variety to read more great articles from their 100th episode feature.
ABC’s “Grey’s Anatomy” is a show about a lot of things — doctors, relationships, life and death — but before the show even began its pilot, producers realized there had to be one more thing included in that list: music.
“We knew going into the pilot that we had to make the lives of the interns as accessible as possible, and the music allows that,” says exec producer Betsy Beers.
To make that music a force of its own, “Grey’s” and showrunner Shonda Rhimes hired Alexandra Patsavas as music supervisor, with the hope she could bring the same magic she supplied to her previous work, such as “The OC” and “Rescue Me.”
“Shonda always intended it to be a musical show,” Patsavas says. “From the start, the producers were never afraid of listening to the unusual.”
I’ve just found this great article with some cast members talking about making 100 episodes of Grey’s.
Katherine Heigl and the cast of Grey’s Anatomy share the excitement of their 100th episode. Shonda Rhimes and company mark the May 7 broadcast of What a Difference a Day Makes by sharing what it means to turn 100 and their approaching another season finale.
Grey’s Anatomy looks pretty good for 100″We’ve been talking about that for about a month now,” Katherine Heigl says.
“Every episode we tick down — 100’s almost here. It’s 98, 98-and-a-half! We’ve all been very prepared for our 100th.”
100 and season five finale
For Sandra Oh and others, working on Grey’s Anatomy for the last 100 episodes, heading into another season finale, is rewarding, but taxing. The hit television show often requires 15 hour days – every day.
I’ve just found this great interview with Shonda Rhimes. It contains spoilers for those at UK pace and a spoiler for the 100th episode so read it after the jump.
